g

Posted at 7:02 pm on March 14, 2008 | leave a comment | Filed Under: Uncategorized | read on

google

Posted at 7:00 pm on March 14, 2008 | leave a comment | Filed Under: Uncategorized | read on

About

India is endowed with a rich cultural legacy of art and architecture. The numerous beautiful temples and other monuments bear testimony to the rich Indian cultural heritage of art and architecture. The Ajanta and Ellora caves in Maharashtra, the Khajuraho temples in Madhya Pradesh, Konark Temple in Puri, Shore Temple at Mahabalipuram in Tamil Nadu and the Taj Mahal in Agra are some of the beautiful monuments that reflect the rich architectural heritage of India. Indian Handicraft is another of form of art that has made a mark among tourists in India. Heritage tour of India is one of the best ways to discover the Indian arts and crafts.Indian art and craft has a number of different aspects to it. These aspects of Indian art and craft vary from region to region. And every region has a unique art form attached to it. The art and crafts of India includes painting, sculptures and handicrafts. Painting as an art form was quite popular during ancient times and the Ajanta Ellora caves and Khajuraho temples are classic examples of this form in ancient times. Indian paintings can be divided into two main categories as the murals and miniatures. Murals are referred to large works of art on the walls and solid structures while miniature paintings are the works of art executed on a small scale like on the paper or cloth. Rajasthani and Mughal paintings are the two examples of miniature paintings.Some of the popular painting forms include the Tanjore Painting of Tamil Nadu, Madhubani Painting of Bihar, Kalamkari Painting of Andhra Pradesh and Pithoro Painting of Gujarat.Another hallmark of Indian art and craft is the sculptures that adorn many temple walls. The sculptures in various places in India reflect the talent and creativity of Indian artisans. The rock cut art of sculpting was believed to be perfected by the Buddhists and followed by Hindu rulers. The sculptures that we see in many temples and other historic places are made of granite and terracotta.Handicraft is another feature of the rich Indian art. There are a number of handicraft items that one can shop when on a tour to India. Some of the handicrafts items that are popular in India are carpets, marble table tops, hand made leather items and hand block printed items, blue pottery, semi-precious stones and Kundan jewellery.

Temple Architecture
All forms of Indian art have been spiritual and all forms of traditions of art have been profoundly conventional. The Hindu temple architecture developed over two thousand years. The architectural evolution of the temples took place within the rigid frameworks derived entirely from religious thoughtfulness. Therefore the architect was bound to keep to the ancient primary dimensions and strict configurations, which remained unaltered over the period of time.The architectural elements and decorative details in the temple had their origin in the early wood, timber and thatch buildings. It had persisted for centuries in one form or another in the stone structures even though the original purpose and context was lost. This can be studied from the horseshoe shaped window. The origin of this type of window can be traced from the chaitya arch doorway first at the Lomash Rishi cave in the Barabar Hills used in the 3rd century BC. It was transformed later into a dormer window known as a gavaksha and eventually it was used strictly as the decorative design of interlaced forms seen on the towers of medieval temples.The architect and sculptor were given a plenty of freedom in the ornamentation and decoration of the temples. This resulted in an overwhelming riches of architectural elements, sculptural forms and decorative ebullience that is the characteristic feature of Indian temple architecture has few analogues in the aesthetic manifestation of the whole world.The distinct architectural styles of temple construction of the north India and the south India was the result of the broad geographical, climatic, ethnic, racial, historical and linguistic differences resulted, from early on, in. The Vastu Shastras, the ancient canonical texts on architecture, classify temples into three different orders: the Nagara or the Indo-Aryan or Northern style, the Dravida or the Southern style and the Vesara or Mixed style of temple architecture. There are also definite regional styles in peripheral areas like Bengal, Kerala and the Himalayan areas.In the early years, when the temple building had just begun, the shape of their superstructures can distinguish the two styles. The most significant difference between the later northern and southern styles are the gateways. The shikhara in the north Indian temples remained the most prominent component of the temple and the gateway was ordinarily unassuming. In the south Indian temples, the enclosure walls were built around the whole complex. Elaborate and often magnificent gateways called gopurams were ideally set along the east-west and north-south axes of these walls, which led the devotees into the sacred courtyard. Less obvious differences between the two main temple types include the ground plan; the selection and positioning of stone-carved deities on the outside walls and the interior, and the range of decorative elements that are sometimes so numerous as to almost obscure the underlying architecture.The best examples of the north Indian style of temple architecture are the Khajuraho Group of temples, Sun temple, Konark, Surya temple, Modhera, Gujarat and Ossian temple, Ossian, Gujarat. The finest examples of Dravidian style are temples of Tanjore, Madurai, Mahabalipuram, Badami, Pattadakal and Kanchipuram

Monuments of India
India has several beautiful and splendid monuments in the world. These monuments owe their execution and creation to the imagination of men who dared to extend their ideas to the farthest limits of human thought. As kings and emperors, they were able to translate their ideas into bricks, mortar, marble and stone. These monuments range through a span of centuries and the major philosophies of the world.
 
The temple is situated on the northeastern corner of Puri. The name Konark is derived from the words Kona meaning corner and Arka meaning sun. Konark is also known as Arkakshetra. The temple was built in 1278 AD by the Ganga king Narasimha Deva. The ruins of this temple were excavated in late 19th century AD. The Sun temple at Konark is widely known not only for its architectural grandeur but also for the intricacy and profusion of sculptural work. It is listed in the UNESCO World heritage Site.Khajuraho was the capital city of the Chandelas. There were 85 temples constructed by the Chandelas between AD 950 and 1050 out of which only 25 have survived. The earliest temples of Khajuraho were built in coarse granite. However, the temples dating back to later period are mostly built in fine-grained buff, pink and pale yellow sandstone, quarried from neighboring areas. The temples mark the culmination of the northern Indian or Nagara style of temple architecture. The Khajuraho Group of Temples Comes under the UNESCO list of World Heritage Sites.The monuments of Mamallapuram are excellent specimen of Dravidian temple architecture and Pallava art. The Shore temple at Mamallapuram was built during the reign of Rajasimha in the 7th century AD. The temple is perched on a rocky outcrop and presides over the shoreline. It was designed to catch the first rays of the rising sun and to illuminate the waters after dark. Thus the temple has an unusual layout.The Qutub Minar was started in 1199 AD by Qutub-ud-Din Aibak and completed by the sultan’s successor and son-in-law, Iltutmish. The building is 72.5 m high and has 379 steps from the bottom to the top. It is made of red and b Qutub-ud-Din Aibak buff sandstone. All the storeys are surrounded by a projected balcony encircling the Minar and supported by stone brackets, which are decorated with honeycomb design, more conspicuously in the first storey. The Qutub Minar is decorated with floral motif and arabesque.

Shahjahan constructed the Taj Mahal for his favorite wife Arjumand Begum, popularly known as Mumtaz Mahal. Taj Mahal was constructed over a period of twenty-two years, employing twenty thousand workers. It was completed in 1648 AD at a cost of 32 Million Rupees. Ustad Isa Khan was the chief architect of the building. The Taj Mahal represents the Zenith of Mughal architecture. It is listed in the UNESCO World Heritage Sites of India.

Fort St. George marks the beginning of development of Madras (Chennai) as a modern city. It looks more like a complex of the well-maintained colonial mansions then a fort. It houses a place where Lord Clive used to live. Fort St. George houses the tallest towering flagstaff in India. The building had been constructed in a typical English style of architecture of the 17th and 18th century AD. It has beautiful stained glasses, church benches made of teak, ornate marble walls, frescoes and plaques. A moat was built around the fort to keep the locals at a distance. It once housed the British regiment mess and later the lighthouse.

India Gate is located in Rajpath and was the first gate to be constructed in the New Delhi. It was built as a War Memorial to commemorate the death of 90,000 India soldiers, who were killed in the North West Province during the First World War and the Afghan Fiasco of 1919. The Duke of Connaught laid the foundation of this Memorial on 10th February 1921. The India Gate was designed by Sir Edwin Lutyens and was completed in 1931. The gate is built of sandstone rising to a height of 160 ft. the height of the arch is 136′ externally and 87’6″ internally.

Indo-European Architecture
After the glorious Mughal Architecture, India saw the development of the Indo-European Architecture, which was the amalgamation of thestyles of the European countries, like Portugal, Holland, France and England. The Europeans constructed forts, churches, ton halls, clock towers, market complexes, gateways etc.The architecture of the imperial Portuguese marked by churches and cathedrals reflecting the post-Renaissance European architecture. There are examples of old mansions, remains of fortifications and defences, dating mainly from the 18th century AD. The Portuguese architecture was very much influenced by contemporary developments in Europe at that time. The churches of Goa are fusion of Renaissance principles and aesthetics to suit local colonial tastes, monetary resource and raw materials.Though Goa is spotted with numerous churches, the representatives of the Indo-European architecture are the Spirit Cathedral of St. Catherine (Se Cathedral), the Church of the Holy or St. Francis of Assisi, the Bom Jesus and the Church of Our Lady of Divine Providence.

The buildings built by the British were not as elegant and grand as that of the Mughals, but were civic and utilitarian buildings and commemorative structures. Indo-European architecture in India during British period closely followed the developments in their home country but also sought inspiration from existing architecture in India for greater legitimacy.

The evolution and development of British Indo-European Architecture in India can be studied from the cities of Kolkota. Chennai, Mumbai, Delhi, Shimla etc. The contributions made by the British lead to the creation of a composite architectural style imbibing European, Indian and Mughal elements and was also called the Colonial Architecture. One of the most significant legacies of Britain’s long reign in India is the Colonial Architecture from the two centuries anteceding the struggle for independence. These imposing buildings including palaces, mansions, clubhouses and government offices, represented a hybrid of Western and Eastern sensibilities as their architects sought to plant the flag of British dominance in a foreign culture.

The new princely cities of Jaipur, Bikaner and Mysore are influenced by the Indo-European Architecture. The towns were patterned along British examples of clock towers, railway stations, public offices, assembly halls, water systems and public hospitals.

The finest examples of the Indo-European architecture are the Churches and Convents of Goa, the Fort St. George at Chennai, Fort St. William at Kolkata, the India Gate, the Rashtrapati Bhawan, the Victoria Terminus, the Gateway of India, Crawford Market, Mumbai, Connaught Place, New Delhi etc

The fine arts, especially architecture, made tremendous progress during the Islamic rule in India. The architecture of this period can be divided into four categories. They are the Delhi or the Imperial Style, the Provincial Style, the Hindu Architecture and the Mughal Architecture. The Imperial Style developed under the patronage of the Sultans of Delhi. The Provincial Rulers who were mostly Muslims patronized the Provincial Style. Though the Imperial Style influenced this style yet it had its own individuality. The Hindu Architecture evolved under the Hindu kings of Rajasthan and Vijayanagara Empire with an influence of the Imperial style. The Mughal Architecture was a blend of the Islamic Architecture of Central Asia and the Hindu Architecture of India.

The development of the Muslim Style of Architecture of this period can be called the Indo-Islamic Architecture or the Indian Architecture influenced by Islamic Art. This style was neither strictly Islamic nor strictly Hindu. The Muslims provided spaciousness, massiveness and breadth to the Hindu architecture. They added mere or arch, dome and minar to the indigenous architecture. The Muslims borrowed the design of kalash on the top of the Hindu temple by placing a dome on the top of their buildings. The Hindu style of decoration was applied by the Muslims to decorate their arches.

The Provincial Rulers could not provide the grandeur similar to the Imperial or the Mughal buildings to their own buildings because of limited economic resources at their disposal. The local circumstances also influenced the Provincial Style therefore making them different not only from the Imperial Style but also from each other.

The Mughal Architecture occupies a most significant place in the history of Indian Architecture. Akbar was responsible for its origin and development.

The Mughal Architecture was basically Indian though it recognized and incorporated foreign influences with in it. Some of the basic features of the Mughal Architecture are the round domes, high minarets, mehrabs, pillars, open courtyards etc. Red sandstone was used for construction of the buildings during the initial period while white marble replaced it during the later period when the stress was more on beautifying of the buildings with the use of colored designs, precious and semi-precious stones, gold and silver waters and minute carvings.

The Muslims mostly constructed tombs, minarets, mosques, palaces and forts while the Hindus mostly constructed temples, forts, palaces, stambhas (victory towers), gopurams, and mandapas in the temples. Though there was no positive effort for the fusion of the Hindu and Muslim architecture yet the synthesis took place and gave birth to the Ind-Islamic style of architecture. The Mughals constructed many mausoleums, mosques places etc. it was influenced by theprovincial architectures of the times.

The outstanding examples of this period are the Qutub Minar, Alai Darwaza, Quwwat-ul-Islam mosque, Tughlaqabad Fort, Vithala temple, Kirti Stambha, Fatehpur Sikri, Agra Fort, Taj Mahal, Red Fort etc.

Categories


Follow

Get every new post delivered to your Inbox.